(If you missed the first installment of this series, catch up here: Part I.)
I met with Andre Lukawski on a beautiful, warm day in September to discuss my ring redesign. Andre’s workshop is located on the lower level of a three flat where he lives upstairs, on the northwest side of Chicago. He was waiting for me on his front porch when I arrived. I was so excited, it felt like I sprinted from my car to greet him.
I didn’t know what to expect as we made our way downstairs to Andre’s lair. I’ve never seen a jewelry workshop before—only jewelry store showrooms and the front counter of a jewelry repair shop.
Upon seeing his workshop, my mind was blown by the scale of his operation. The wood-paneled room featured four separate workstations equipped with grinders, and buffers, and vices, and magnifying glasses, and all kinds of hand tools. In a smaller room off the main space (an erstwhile kitchen) sat an assortment of glass jars and vats of chemicals with tubing and wires coming out of them. It had the look of fully stocked high school science lab, and stirred within me giddiness at the prospect of all the jewelry alchemy that must happen within its walls:
Andre and I stationed ourselves at his large work table and, while maintaining proper distance with masks on, began to chat about my project. I had a clear vision of what I wanted my rings to look like, but didn’t appreciate beforehand just how many decisions were required to shape the design. Did I want the band to taper toward the stone or stay uniform in width? Did I want 14k or 18k yellow gold? How tall and wide should the bands be? What design did I want for the basket where the diamond would sit? As I contemplated the various options for each design element, Andre pulled out picture catalogs and sample rings from his behemoth safe to provide greater clarity for my choices. He made rough sketches and measurements as we talked, and paused throughout our conversation to pensively consider the design as it came to fruition in his mind.
One of my concerns was whether I could save my original engagement ring setting, perhaps to gift to my kids someday. Andre had the wonderful idea that we could set a gemstone where the diamond had been. I’m planning to do that as a special gift for Sloane, maybe on her 16th birthday or as a high school graduation present.
Once we had worked through all the minutiae, Andre explained that he would convey the design to a CAD drawer, who would prepare renderings of my rings for my approval before making them.
More to come about the renderings and the final product in Part III, the last installment in this series: The Final Reveal.
2 thoughts on “Ring Redesign Part II: The Consultation”
I have some inside knowledge of the outcome! However, seeing Andre’s workshop and hearing about the alchemy, I am fascinated with what goes into jewelry design. Without CAD, skilled artists used to do hand drawings that I see occasionally in jewelry ads.